© Areez Katki 2022
-
'
THERE IS NO OTHER
'
HOME BUT THISGovett-Brewster Art Gallery
[with Khadim Ali]
Curated by Zara Stanhope
5th March – 19th June 2022
Ngāmotu New Plymouth, NZInstallation view
Photography by Samuel Hartnett
'THERE IS NO OTHER
'
HOME BUT THISGovett-Brewster Art Gallery
[with Khadim Ali]
Curated by Zara Stanhope
5th March – 19th June 2022
Ngāmotu New Plymouth, NZ -
'
ALL MY BOOKS HAVE
'
FADED SPINESMcLeavey Gallery
16th March – 9th April 2022
Te Whanganui-a-Tara Wellington, NZAll My Books Have Faded Spines, 2022
Cotton embroidery on khadi
580mm x 1070mm'ALL MY BOOKS HAVE
'
FADED SPINESMcLeavey Gallery
16th March – 9th April 2022
Te Whanganui-a-Tara Wellington, NZ -
'
ALL MY BOOKS HAVE
'
FADED SPINESMcLeavey Gallery
16th March – 9th April 2022
Te Whanganui-a-Tara Wellington, NZEyeteeth , 2022
Cotton embroidery on khadi
830mm x 430mmKeys in the Drawer, 2022
Cotton embroidery on khadi
830mm x 430 mm'ALL MY BOOKS HAVE
'
FADED SPINESMcLeavey Gallery
16th March – 9th April 2022
Te Whanganui-a-Tara Wellington, NZ -
'
ALL MY BOOKS HAVE
'
FADED SPINESMcLeavey Gallery
16th March – 9th April 2022
Te Whanganui-a-Tara Wellington, NZInstallation view
Photography by Ryan McCauley
'ALL MY BOOKS HAVE
'
FADED SPINESMcLeavey Gallery
16th March – 9th April 2022
Te Whanganui-a-Tara Wellington, NZ -
'
ALL MY BOOKS HAVE
'
FADED SPINESMcLeavey Gallery
16th March – 9th April 2022
Te Whanganui-a-Tara Wellington, NZDolly (study of a Achaemenid Persepolitan), 2021
Watercolour and natural pigment on cotton paper
[framed]
Thrity (study of an Achaemenid Queen), 2021
Watercolour and natural pigment on cotton paper
[framed]
Yasmin (study of a Persepolitan Courtier), 2021
Watercolour and natural pigment on cotton paper
[framed]Delzin (study of a Priestess from Gordion), 2021
Watercolour and natural pigment on cotton paper
[framed]
Self Portrait (study of a Persepolitan Courtier), 2021
Watercolour and natural pigment on cotton paper
[framed]'ALL MY BOOKS HAVE
'
FADED SPINESMcLeavey Gallery
16th March – 9th April 2022
Te Whanganui-a-Tara Wellington, NZ -
'
ALL MY BOOKS HAVE
'
FADED SPINESMcLeavey Gallery
16th March – 9th April 2022
Te Whanganui-a-Tara Wellington, NZAlcohol (a dance of birds as our vines ripen), 2021
Cotton embroidery on khadi handkerchief
510mm x 500mm [unframed] | 670mm x 670mm [framed]Musk (or the residual tenderness of a pillow), 2021
Cotton embroidery on khadi handkerchief
510mm x 500mm [unframed] | 670mm x 670mm [framed]Khaki (upon some soil we land safely), 2021
Cotton embroidery on khadi handkerchief
510mm x 500mm [unframed] | 670mm x 670mm [framed]Algebra (or an allegory for faith), 2021
Cotton embroidery on khadi handkerchief
510mm x 500mm [unframed] | 670mm x 670mm [framed]'ALL MY BOOKS HAVE
'
FADED SPINESMcLeavey Gallery
16th March – 9th April 2022
Te Whanganui-a-Tara Wellington, NZ -
'
ALL MY BOOKS HAVE
'
FADED SPINESMcLeavey Gallery
16th March – 9th April 2022
Te Whanganui-a-Tara Wellington, NZDio Dispersion, 2018
Cotton embroidery and antique mul (19th century) on Bombay Dyeing tea towel (c. 1940)
530mm x 510mm [framed]Udvada, 2018
Cotton embroidery and antique mul (19th century) on Bombay Dyeing tea towel (c. 1940)
530mm x 525mm [framed]'ALL MY BOOKS HAVE
'
FADED SPINESMcLeavey Gallery
16th March – 9th April 2022
Te Whanganui-a-Tara Wellington, NZ -
'
NOTES FOR TOMORROW
'Te Uru
[group exhibition]
Presented by Independent Curators International (ICI)
Curated for Te Uru by Tendai Mutambu | Exhibition design by Sam Aislabie
12th March – 12th June 2022
Tāmaki Makaurau Auckland, NZ'NOTES FOR TOMORROW
'Te Uru
[group exhibition]
Presented by Independent Curators International (ICI)
Curated for Te Uru by Tendai Mutambu | Exhibition design by Sam Aislabie
12th March – 12th June 2022
Tāmaki Makaurau Auckland, NZ -
'
FRUIT CUBAB
'Te Tuhi
Reeves Road and Parnell Station Billboards
27th February – 8th May 2022
Tāmaki Makaurau Auckland, NZFruit Cubab, 2022 [1 – 3]
Inkjet billboard print
2400mm H x 3000mm W (each)Commissioned by Te Tuhi, Tāmaki Makaurau Auckland
Installation view photographs by Samuel Hartnett
'FRUIT CUBAB
'Te Tuhi
Reeves Road and Parnell Station Billboards
27th February – 8th May 2022
Tāmaki Makaurau Auckland, NZ -
'
LANGUAGE IS MIGRANT'
'
'Colomboscope 7th EditionBarefoot Gallery
20th – 30th January 2022
Colombo, Sri LankaInstallation view
Photography Shehan Obeysekara
'LANGUAGE IS MIGRANT'
'
'Colomboscope 7th EditionBarefoot Gallery
20th – 30th January 2022
Colombo, Sri Lanka -
'
LANGUAGE IS MIGRANT'
'
'Colomboscope 7th EditionBarefoot Gallery
20th – 30th January 2022
Colombo, Sri Lanka'LANGUAGE IS MIGRANT'
'
'Colomboscope 7th EditionBarefoot Gallery
20th – 30th January 2022
Colombo, Sri Lanka -
'
BILDUNGSROMAN (& OTHER STORIES)
'Tarq Gallery
8th July – 7th August 2021
Mumbai, India'BILDUNGSROMAN (& OTHER STORIES)
'Tarq Gallery
8th July – 7th August 2021
Mumbai, India -
'
BILDUNGSROMAN (& OTHER STORIES)
'Tarq Gallery
8th July – 7th August 2021
Mumbai, IndiaTaste of Malido, 2018
Embroidery on khadi handkerchief
410mm H x 500mm W [unframed]Sound of Dhansak, 2018
Embroidery on khadi handkerchief
410mm H x 500mm W [unframed]Money Pouches [I-II], 2019
Embroidery on canvas money pouches c. 1930
[Dimensions variable]Still Life, Spin & Thrust, 2018
Embroidery on repurposed dust cloth c. 1990
350mm H x 390mm W [unframed]Onions, too, cry, 2021
Embroidery on hand-loomed khatka
430mm H x 430mm W'BILDUNGSROMAN (& OTHER STORIES)
'Tarq Gallery
8th July – 7th August 2021
Mumbai, India -
'
BILDUNGSROMAN (& OTHER STORIES)
'Tarq Gallery
8th July – 7th August 2021
Mumbai, IndiaEmbers (16 thoughts form simultaneously), 2019
Embroidery on khadi handkerchief
450mm H x 450mm W'BILDUNGSROMAN (& OTHER STORIES)
'Tarq Gallery
8th July – 7th August 2021
Mumbai, India -
'
BILDUNGSROMAN (& OTHER STORIES)
'Tarq Gallery
8th July – 7th August 2021
Mumbai, IndiaHands on Lap, 2019
Embroidery on ikat handkerchief
470mm H x 470mm WFarewell Dear Banoo, 2019
Embroidery on khadi handkerchief
450mm H x 450mm W'BILDUNGSROMAN (& OTHER STORIES)
'Tarq Gallery
8th July – 7th August 2021
Mumbai, India -
'
BILDUNGSROMAN (& OTHER STORIES)
'Tarq Gallery
8th July – 7th August 2021
Mumbai, India'BILDUNGSROMAN (& OTHER STORIES)
'Tarq Gallery
8th July – 7th August 2021
Mumbai, India -
'
SWING BACK, LINGER
'McLeavey Gallery
[group exhibition]
21st Jul – 7th Jul 2021
Te Whanganui-a-Tara Wellington, NZSeeds (written and spoken-word), 2020
Graphite text on wall'SWING BACK, LINGER
'McLeavey Gallery
[group exhibition]
21st Jul – 7th Jul 2021
Te Whanganui-a-Tara Wellington, NZ -
'
MĀNAWATIA TAKATAPUI | DEFENDING PLURALITY
'Tauranga Art Gallery | Toi Tauranga
[group exhibition]
23rd July – 10th October 2021
Tauranga, NZDwelling, 2017
Cotton thread hand embroidery on upholstered silk textile.Drapery, 2019
Cotton and silk thread embroidery on 80% linen/20% cellulose textile.'MĀNAWATIA TAKATAPUI | DEFENDING PLURALITY
'Tauranga Art Gallery | Toi Tauranga
[group exhibition]
23rd July – 10th October 2021
Tauranga, NZ -
'
LIKE BIRDS, LIKE FISHES
'Tim Melville Gallery
7th April – 1st May 2021
Tāmaki Makaurau Auckland, NZEssayer (are we there yet?), 2021
Embroidery on khadi cloth
405mm H x 870mm W'LIKE BIRDS, LIKE FISHES
'Tim Melville Gallery
7th April – 1st May 2021
Tāmaki Makaurau Auckland, NZ -
'
LIKE BIRDS, LIKE FISHES
'Tim Melville Gallery
7th April – 1st May 2021
Tāmaki Makaurau Auckland, NZSelection 'It's Never too Late to Learn' (series of 32)
Lesson 8, 2020
Embroidery on gifted vintage muslin handkerchief
420mm H x 420mm W [frame]Lesson 16, 2020
Embroidery on gifted vintage muslin handkerchief
420mm H x 420mm W [frame]Lesson 25, 2020
Embroidery on gifted vintage muslin handkerchief
420mm H x 420mm W [frame]Lesson 21, Revised, 2021
Embroidery on gifted vintage muslin handkerchief
420mm H x 420mm W [frame]Lesson 32, 2021
Embroidery on gifted vintage muslin handkerchief
420mm H x 420mm W [frame]'LIKE BIRDS, LIKE FISHES
'Tim Melville Gallery
7th April – 1st May 2021
Tāmaki Makaurau Auckland, NZ -
'
LIKE BIRDS, LIKE FISHES
'Tim Melville Gallery
7th April – 1st May 2021
Tāmaki Makaurau Auckland, NZA squall unto Yasmin's Friday shrine, 2020
Embroidery on printed Bombay Dyeing dust cloth c. 1980
755mm H x 830mm W [frame]Ziggurat (aide-mémoire), 2020
Embroidery on printed Bombay Dyeing dust cloth c. 1980
755mm H x 830mm W [frame]'LIKE BIRDS, LIKE FISHES
'Tim Melville Gallery
7th April – 1st May 2021
Tāmaki Makaurau Auckland, NZ -
'
LIKE BIRDS, LIKE FISHES
'Tim Melville Gallery
7th April – 1st May 2021
Tāmaki Makaurau Auckland, NZFlight with a landscape in the belly, 2021
Embroidery on khadi cloth
900mm H x 355mm WLike Birds, Like Fishes, 2021
Embroidery on khadi cloth
900mm H x 355mm W'LIKE BIRDS, LIKE FISHES
'Tim Melville Gallery
7th April – 1st May 2021
Tāmaki Makaurau Auckland, NZ -
'
LIKE BIRDS, LIKE FISHES
'Tim Melville Gallery
7th April – 1st May 2021
Tāmaki Makaurau Auckland, NZ'LIKE BIRDS, LIKE FISHES
'Tim Melville Gallery
7th April – 1st May 2021
Tāmaki Makaurau Auckland, NZ -
'
HISTORY RESERVES BUT A FEW LINES FOR YOU
'Enjoy Contemporary Art Gallery
19th February – 3rd April 2021
Te Whanganui-a-Tara Wellington, NZInstall view
Photography by Cheska Brown
'HISTORY RESERVES BUT A FEW LINES FOR YOU
'Enjoy Contemporary Art Gallery
19th February – 3rd April 2021
Te Whanganui-a-Tara Wellington, NZ -
'
HISTORY RESERVES BUT A FEW LINES FOR YOU
'Enjoy Contemporary Art Gallery
19th February – 3rd April 2021
Te Whanganui-a-Tara Wellington, NZDrapery, 2019
Cotton and silk thread embroidery on 80% linen/20% cellulose textile.In Small Places (Farrokh & Sohrab), 2018
Cotton thread hand embroidery on hand-loomed tea towel.'HISTORY RESERVES BUT A FEW LINES FOR YOU
'Enjoy Contemporary Art Gallery
19th February – 3rd April 2021
Te Whanganui-a-Tara Wellington, NZ -
'
HISTORY RESERVES BUT A FEW LINES FOR YOU
'Enjoy Contemporary Art Gallery
19th February – 3rd April 2021
Te Whanganui-a-Tara Wellington, NZIonic, 2021
Cotton thread hand embroidery on muslin handkerchief.'HISTORY RESERVES BUT A FEW LINES FOR YOU
'Enjoy Contemporary Art Gallery
19th February – 3rd April 2021
Te Whanganui-a-Tara Wellington, NZ -
'
HISTORY RESERVES BUT A FEW LINES FOR YOU
'Enjoy Contemporary Art Gallery
19th February – 3rd April 2021
Te Whanganui-a-Tara Wellington, NZThreshold, 2021
Pearlised polychrome Czech glass beads
[spatial intervention with concrete flooring.]Dwelling, 2017
Cotton thread hand embroidery on upholstered silk textile.'HISTORY RESERVES BUT A FEW LINES FOR YOU
'Enjoy Contemporary Art Gallery
19th February – 3rd April 2021
Te Whanganui-a-Tara Wellington, NZ -
'
HISTORY RESERVES BUT A FEW LINES FOR YOU
'Enjoy Contemporary Art Gallery
19th February – 3rd April 2021
Te Whanganui-a-Tara Wellington, NZTelemachus, 2021
Cotton thread hand embroidery on muslin handkerchief.Through the keyhole, 2021
Cotton thread hand embroidery on muslin handkerchief.'HISTORY RESERVES BUT A FEW LINES FOR YOU
'Enjoy Contemporary Art Gallery
19th February – 3rd April 2021
Te Whanganui-a-Tara Wellington, NZ -
'
HISTORY RESERVES BUT A FEW LINES FOR YOU
'Enjoy Contemporary Art Gallery
19th February – 3rd April 2021
Te Whanganui-a-Tara Wellington, NZTrojan, 2021
Cotton thread hand embroidery on muslin handkerchief.Paisley (bruise blue), 2021
Cotton thread hand embroidery on muslin handkerchief.'HISTORY RESERVES BUT A FEW LINES FOR YOU
'Enjoy Contemporary Art Gallery
19th February – 3rd April 2021
Te Whanganui-a-Tara Wellington, NZ -
'
THIEVES' MARKET
'The National
3rd – 27th February 2021
Ōtautahi Christchurch, NZInstall view
Photography by John Collie
'THIEVES' MARKET
'The National
3rd – 27th February 2021
Ōtautahi Christchurch, NZ -
'
THIEVES' MARKET
'The National
3rd – 27th February 2021
Ōtautahi Christchurch, NZLot. 5, 2020
Beaded tapestry fragments with Czech glass beads and mercerised cotton thread.Lot. 13, 2018 – 2021
Beaded tapestry fragments with Czech glass beads and mercerised cotton thread.'THIEVES' MARKET
'The National
3rd – 27th February 2021
Ōtautahi Christchurch, NZ -
'
THIEVES' MARKET
'The National
3rd – 27th February 2021
Ōtautahi Christchurch, NZLot. 1, 2018 – 2021 [framed]
Beaded tapestry fragments with Czech glass beads and mercerised cotton thread.Lot. 6, 2020 – 2021
Beaded tapestry fragments with Czech glass beads and mercerised cotton thread.'THIEVES' MARKET
'The National
3rd – 27th February 2021
Ōtautahi Christchurch, NZ -
'
THIEVES' MARKET
'The National
3rd – 27th February 2021
Ōtautahi Christchurch, NZLot. 3, 2020
Beaded tapestry fragments with Czech glass beads and mercerised cotton thread.Lot. 10, 2020
Beaded tapestry fragments with Czech glass beads and mercerised cotton thread.Lot. 9, 2019 – 2021
Beaded tapestry fragments with Czech glass beads and mercerised cotton thread.Lot. 7, 2020 – 2021
Beaded tapestry fragments with Czech glass beads and mercerised cotton thread.'THIEVES' MARKET
'The National
3rd – 27th February 2021
Ōtautahi Christchurch, NZ -
'
ON CHROMA
'Sumer Gallery
17th October—14th November 2020
Tauranga, NZSympathetic Qualities, 2020
Cotton embroidery on handwoven ikat cloth.
300mm H x 300mm W'ON CHROMA
'Sumer Gallery
17th October—14th November 2020
Tauranga, NZ -
'
ON CHROMA
'Sumer Gallery
17th October—14th November 2020
Tauranga, NZHelpful Thoughts, 2020
Cotton embroidery on handwoven ikat cloth.
300mm H x 300mm W'ON CHROMA
'Sumer Gallery
17th October—14th November 2020
Tauranga, NZ -
'
ON CHROMA
'Sumer Gallery
17th October—14th November 2020
Tauranga, NZGrasping (three anachronisms), 2020
Cotton embroidery on handwoven ikat cloth.
810mm H x 360mm W'ON CHROMA
'Sumer Gallery
17th October—14th November 2020
Tauranga, NZ -
'
ON CHROMA
'Sumer Gallery
17th October—14th November 2020
Tauranga, NZInstallation view
Photography by Dan du Bern
'ON CHROMA
'Sumer Gallery
17th October—14th November 2020
Tauranga, NZ -
'
NOTES & METHODS
'Tim Melville Gallery
Auckland, NZ
7th July—1st August
2020He Asked About the Quality, 2019
Cotton and silk thread hand embroidery on repurposed linen handkerchief. 160mm H x 170mm W'NOTES & METHODS
'Tim Melville Gallery
Auckland, NZ
7th July—1st August
2020 -
'
NOTES & METHODS
'Tim Melville Gallery
Auckland, NZ
7th July—1st August
2020Original Recipe with Tubular Saucepan Handle, 2020
Cotton thread hand embroidery over windowpane check handwoven khadi. 385mm H x 385mm WSecondary Study from Apartment No. 14, 2020
Cotton thread hand embroidery over windowpane check handwoven khadi. 385mm H x 385mm W'NOTES & METHODS
'Tim Melville Gallery
Auckland, NZ
7th July—1st August
2020 -
'
NOTES & METHODS
'Tim Melville Gallery
Auckland, NZ
7th July—1st August
2020For Thirty Thousand Years
(Panels I – II), 2019
Cotton thread hand embroidery over 60% silk x 40% cotton hand-loomed khadi.
900mm H x 950mm W'NOTES & METHODS
'Tim Melville Gallery
Auckland, NZ
7th July—1st August
2020 -
'
NOTES & METHODS
'Tim Melville Gallery
Auckland, NZ
7th July—1st August
2020Eleven Thoughts Form
(conflation of mischief and pleasure), 2020
Cotton thread hand embroidery over handwoven khadi cloth. 420mm H x 840mm W'NOTES & METHODS
'Tim Melville Gallery
Auckland, NZ
7th July—1st August
2020 -
'
NOTES & METHODS
'Tim Melville Gallery
Auckland, NZ
7th July—1st August
2020Four Bars (transcending asceticism), 2020
Cotton thread hand embroidery over crème handwoven silk fragment. 385mm H x 385mm WGrand Elasticity, 2020
Cotton thread hand embroidery over crème handwoven silk fragment. 385mm H x 385mm W'NOTES & METHODS
'Tim Melville Gallery
Auckland, NZ
7th July—1st August
2020 -
'
NOTES & METHODS
'Tim Melville Gallery
Auckland, NZ
7th July—1st August
202021 Bars, 2018
Cotton thread hand embroidery on hand-loomed khatka textile. 450mm H x 350mm W9 Bars, 2018
Cotton thread hand embroidery on hand-loomed khatka textile. 450mm H x 350mm W27 Bars, 2018
Cotton thread hand embroidery on hand-loomed khatka textile. 450mm H x 350mm W'NOTES & METHODS
'Tim Melville Gallery
Auckland, NZ
7th July—1st August
2020 -
'
NOTES & METHODS
'Tim Melville Gallery
Auckland, NZ
7th July—1st August
2020Ishtar Gate Residue, 2019
Cotton hand embroidery over taupe khadi handkerchief. 450mm H x 450mm WSimpleton No. 1, 2019
Cotton hand embroidery over taupe khadi handkerchief. 450mm H x 450mm WJe vous en prie Monsieur de Morgan!, 2019
Cotton hand embroidery over taupe khadi handkerchief. 450mm H x 450mm W'NOTES & METHODS
'Tim Melville Gallery
Auckland, NZ
7th July—1st August
2020 -
'
NOTES & METHODS
'Tim Melville Gallery
Auckland, NZ
7th July—1st August
2020Ax – Ex, 2020
Cotton thread hand embroidery on pyjama striped handwoven khadi. 385mm H x 385mm WAstral Buoyancy, 2020
Cotton thread hand embroidery on pyjama striped handwoven khadi. 385mm H x 385mm W'NOTES & METHODS
'Tim Melville Gallery
Auckland, NZ
7th July—1st August
2020 -
'
NOTES & METHODS
'Tim Melville Gallery
Auckland, NZ
7th July—1st August
2020'NOTES & METHODS
'Tim Melville Gallery
Auckland, NZ
7th July—1st August
2020 -
'
It's Never Too Late To Learn
'Off-site project with
Te Tuhi, Arts Out East
Location:
Ararimu Valley School Cottage
Howick Historic Village
Auckland, NZ'It's Never Too Late To Learn
'Off-site project with
Te Tuhi, Arts Out East
Location:
Ararimu Valley School Cottage
Howick Historic Village
Auckland, NZ -
'
EVEN THE BIRDS ARE WALKING
'Latitude 53
Edmonton, Canada
January – April
2020i. A squall unto Yasmin’s Friday shrine, 2020
Cotton thread hand embroidery over repurposed green windowpane check printed Bombay Dyeing cotton dust cloth c. 1980. 600 x 450mmii. He will not be attending the conference, 2020
Cotton thread hand embroidery over repurposed striped hand-loomed Turkish cotton tea towel c. 1940. 970 x 545mmiii. As displacement took root, 2020
Cotton thread hand embroidery over salvaged silk upholstery fragment from Shiraz, Iran c. 1960. 970 x 1015mm'EVEN THE BIRDS ARE WALKING
'Latitude 53
Edmonton, Canada
January – April
2020 -
'
PAPER TRAIL
'Tim Melville Gallery
Auckland, New Zealand
April – May
2020i. Body, Remember, 2019.
Watercolour & graphite on hot pressed archival cotton paper.ii. Neapoli, 2019.
Watercolour & graphite on hot pressed archival cotton paper.'PAPER TRAIL
'Tim Melville Gallery
Auckland, New Zealand
April – May
2020 -
'
HOT MESS
'Bowerbank Ninow
Auckland, New Zealand
27th November – 20th December 2019i. August (Novelli's poetry reading tour), 2019
Cotton thread hand embroidery over found khadi handkerchief.i. Vitrine of Gestures, 2019
Cotton thread hand embroidery over found khadi handkerchief.'HOT MESS
'Bowerbank Ninow
Auckland, New Zealand
27th November – 20th December 2019 -
'
Some Retained Delights
'RM Gallery
Solo Exhibition - Auckland
9th - 26th October 2019Photography by Ardit Hoxha
'Some Retained Delights
'RM Gallery
Solo Exhibition - Auckland
9th - 26th October 2019 -
'
COME, REMEMBER
'Window Gallery
5 Alfred St
General Library Foyer
University of Auckland
Auckland, NZ
Ophelia King and Areez Katki
31st July—30th August
2019'COME, REMEMBER
'Window Gallery
5 Alfred St
General Library Foyer
University of Auckland
Auckland, NZ
Ophelia King and Areez Katki
31st July—30th August
2019 -
'
Softly Spoken
'Hastings City Art Gallery
3rd August - 3rd November 2019'Softly Spoken
'Hastings City Art Gallery
3rd August - 3rd November 2019 -
'
UNCRUISING
'Villa Exarcheia Residency
Solo Exhibition
Athens, Greece
9th July - 20th August 2019'UNCRUISING
'Villa Exarcheia Residency
Solo Exhibition
Athens, Greece
9th July - 20th August 2019 -
'
19 GALLERY: Relocating Frances Hodgkins
'Auckland Art Gallery
Toi o Tāmaki
Model gallery exhibition located in the display case on the Mezzanine level before the E.H McCormick Library.
Frances Hodgkins: European Journeys
4th May—1st September
2019'19 GALLERY: Relocating Frances Hodgkins
'Auckland Art Gallery
Toi o Tāmaki
Model gallery exhibition located in the display case on the Mezzanine level before the E.H McCormick Library.
Frances Hodgkins: European Journeys
4th May—1st September
2019 -
'
BILDUNGSROMAN
''Self Portrait with Blue Desk' (2018)
Parsi Colony Series - Panel IVCotton thread hand embroidery applied over hand-loomed cotton Khatka textile.
320 x 380mm
'BILDUNGSROMAN
''Self Portrait with Blue Desk' (2018)
Parsi Colony Series - Panel IV -
'
Blue Bathing in Pink (2018)
'Parsi Colony Series - Panel VI
Cotton thread hand embroidery applied over hand-loomed cotton Khatka textile.
320 x 380mm
'Blue Bathing in Pink (2018)
'Parsi Colony Series - Panel VI
-
'
Shrine (Still Life with Partially Squeezed Lime), 2018
'Parsi Colony Series - Panel V
Cotton thread hand embroidery applied over hand-loomed cotton Khatka textile.
320 x 380mm
'Shrine (Still Life with Partially Squeezed Lime), 2018
'Parsi Colony Series - Panel V
-
'
Homecoming, 2019
'
BILDUNGSROMAN
Malcolm Smith Gallery
2019Czech glass beads tapestry-woven with mercerised cotton thread.
654 x 105mm
'Homecoming, 2019
'
BILDUNGSROMAN
Malcolm Smith Gallery
2019 -
'
In Small Places (Farokh & Sohrab), 2018
'Cotton thread hand embroidery applied over repurposed hand-loomed tea towel.
480 x 405mm
'In Small Places (Farokh & Sohrab), 2018
' -
'
Bombay Dyeing 1990 (2018)
'Cotton thread hand embroidery on repurposed Bombay Dyeing tote bag with ‘1990’ calendar print on textile.
555 x 260mm (incl. 175mm handles)
'Bombay Dyeing 1990 (2018)
' -
'
Caspian Dispersion, 2018
'Cotton thread hand embroidery applied over flat-woven indigo dyed cotton runner rug.
440 x 1970mm (incl. 110mm warp tassels on both ends)
'Caspian Dispersion, 2018
' -
'
Diaspora Series, 2018
'i: Dio Dispersion
ii: Udvada
BILDUNGSROMAN
Malcolm Smith Gallery
2019Cotton thread hand embroidery applied over repurposed Bombay Dyeing tea towels (c. 1940) with applied 19th Century hand loomed cotton Mul fragments.
i: 475 x 492mm
ii: 490 x 490mm'Diaspora Series, 2018
'i: Dio Dispersion
ii: Udvada
BILDUNGSROMAN
Malcolm Smith Gallery
2019 -
'
Farvahar Redux (Matriarch Rises), 2018
'Cotton thread hand embroidery on hand-loomed cotton Khatka textile.
470 x 470mm
'Farvahar Redux (Matriarch Rises), 2018
' -
'
Folding Screen One: Temples & Shrines, 2018
'Cotton thread hand embroidery on hand-loomed 60% Silk x 40% Cotton Khadi (Moss). Framed on pinewood structure designed in collaboration with Bombay Atelier.
Individual Panels: 555 x 1305mm each
Framed: 1800H x 1700W x 600-700D
average fold'Folding Screen One: Temples & Shrines, 2018
' -
'
Handkerchief Series, 2018
'i: Smell of Akoori
ii: Taste of Malido
iii: Sound of DhansakCotton thread hand embroidery applied over hand-loomed Khadi cotton handkerchiefs.
i: 425 x 415mm
ii: 425 x 410mm
iii: 500 x 410mm'Handkerchief Series, 2018
'i: Smell of Akoori
ii: Taste of Malido
iii: Sound of Dhansak -
'
Hoshang Merchant Takes His Vitamin D, 2018
'Cotton thread hand embroidery on repurposed Bombay Dyeing floral printed coaster (c. 1950)
175 x 175mm
'Hoshang Merchant Takes His Vitamin D, 2018
' -
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Legend of the Sugar & the Milk, 2018
'Sudreh Series: Article i
Cotton thread hand embroidery applied over hand-loomed West Bengali cotton Mul.660 x 685mm
'Legend of the Sugar & the Milk, 2018
' -
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Massacre of the Tall Poppies, 2018
'Sudreh Series: Article ii
Cotton thread hand embroidery applied over hand-loomed West Bengali cotton Mul.660 x 685mm
'Massacre of the Tall Poppies, 2018
' -
'
Money Pouches, 2018
'(i-ii)
Cotton thread hand embroidery on repurposed cotton canvas ‘Duke’ money pouches (c. 1930).
i: 170 x 255mm
ii: 190 x 250mm'Money Pouches, 2018
'(i-ii)
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Nine Fragments, 2018
'(From left to right each row downward)
i: Digital Jaali
ii: Pink Breakfast Table
iii: Cornelia Sorabji
iv: Anahita
v: Tappeh Sarab Deity
vi: Bombay Deco
vii: Digital Paisley
viii: Beam Gazing
ix: Madame CamaCzech glass beads tapestry-woven with mercerised cotton thread.
115 x 115mm each
'Nine Fragments, 2018
'(From left to right each row downward)
i: Digital Jaali
ii: Pink Breakfast Table
iii: Cornelia Sorabji
iv: Anahita
v: Tappeh Sarab Deity
vi: Bombay Deco
vii: Digital Paisley
viii: Beam Gazing
ix: Madame Cama -
'
Sunset Release! (2018)
'Parsi Colony Series - Panel II
Cotton thread hand embroidery applied over hand-loomed cotton Khatka textile.
320 x 380mm
'Sunset Release! (2018)
'Parsi Colony Series - Panel II
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'
Three Balconies, 2018
'Parsi Colony Series - Panel I
Cotton thread hand embroidery applied over hand-loomed cotton Khatka textile.
320 x 380mm
'Three Balconies, 2018
'Parsi Colony Series - Panel I
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'
Threshold, Open at Dawn (2018)
'Parsi Colony Series - Panel III
Cotton thread hand embroidery applied over hand-loomed cotton Khatka textile.
320 x 380mm
'Threshold, Open at Dawn (2018)
'Parsi Colony Series - Panel III
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Within the Magian Tavern (2018)
'Cotton thread hand embroidery on repurposed green paisley woodblock printed cotton tablecloth.
570 x 750mm (incl. 30mm tassels at bottom end)
'Within the Magian Tavern (2018)
' -
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Folding Screen Two: The Solaces of Matriarchy, 2018
'BILDUNGSROMAN
Malcolm Smith Gallery
2019Cotton thread hand embroidery on hand-loomed 60% Silk x 40% Cotton Khadi (Dove Grey). Framed on pinewood structure designed in collaboration with Bombay Atelier.
Individual Panels: 560 x 1305mm (each)
Framed: 1800H x 1700W x 600-700D
average fold'Folding Screen Two: The Solaces of Matriarchy, 2018
'BILDUNGSROMAN
Malcolm Smith Gallery
2019 -
'
Nāvar Initiation (Zoroastrian Priesthood), 2018
'BILDUNGSROMAN
Malcolm Smith Gallery
2019Cotton thread hand embroidery applied over hand-woven green windowpane check cotton tea towel.
(440 x 440mm)
'Nāvar Initiation (Zoroastrian Priesthood), 2018
'BILDUNGSROMAN
Malcolm Smith Gallery
2019 -
'
Still Life, Spin & Thrust (2018)
'BILDUNGSROMAN
Malcolm Smith Gallery
2019Cotton thread hand embroidery on repurposed green gingham dust cloth (c. 1990).
(390 x 355mm)
'Still Life, Spin & Thrust (2018)
'BILDUNGSROMAN
Malcolm Smith Gallery
2019 -
'
Agiary Series, 2018
'i: Batliwalla Agiary (Closed Threshold)
ii: Temple of Anāhita
iii: It’ll Rot if You Don’t Chew Fast, Shirin!
BILDUNGSROMAN
Malcolm Smith Gallery
2019Cotton thread hand embroidery applied over hand-loomed cotton Khatka textile.
(431 x 431mm each)
'Agiary Series, 2018
'i: Batliwalla Agiary (Closed Threshold)
ii: Temple of Anāhita
iii: It’ll Rot if You Don’t Chew Fast, Shirin!
BILDUNGSROMAN
Malcolm Smith Gallery
2019 -
'
Bildungsroman
'Malcolm Smith Gallery
2nd Feb - 17th March 2019
Organised by Zoe Hoeberigs'Bildungsroman
'Malcolm Smith Gallery
2nd Feb - 17th March 2019
Organised by Zoe Hoeberigs -
'
Dwelling
'Marabar Caves
The Gus Fisher Gallery
August – September 2017
Organised by Victoria Wynne-Jones
Photographs by Samuel HartnettMarabar Caves was an exhibition that took its title from the caves featured in E.M. Forster’s 1924 novel 'Passage to India.' This is the first exhibition in a series of three entitled ‘Resources of the Social Imagination’ by Victoria Wynne-Jones, which will look at the relationships between narrative pleasure and contemporary art. Narratives that are cosmological, geological and mythical combine to describe a space that is highly sculptural, one that becomes psychosexual with the aid of a colonial gaze.
Audio, ceramics, embroidery and exhibition design form a response to Forster's description of the caves. Areez Katki has investigated non-linguistic narrative techniques using synaesthesia and his applied arts textile practice. Devices designed to lean against and languish on have been constructed and embroidered upon for the exhibition.
Organised by Victoria Wynne-Jones.
'Dwelling
'Marabar Caves
The Gus Fisher Gallery
August – September 2017
Organised by Victoria Wynne-Jones
Photographs by Samuel Hartnett -
'
Ravel Scroll: Daybreak
'Vanished Delft
The Pah Homestead
March – May 2017
Curated by Anna Miles
Photographs by Samuel Hartnett'Ravel Scroll: Daybreak
'Vanished Delft
The Pah Homestead
March – May 2017
Curated by Anna Miles
Photographs by Samuel Hartnett -
'
Constantinople Dress
'Beauty Is In The Street
Ramp Gallery
April – June 2017'Constantinople Dress
'Beauty Is In The Street
Ramp Gallery
April – June 2017 -
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Constantinople Dress & Cordoba Diptych
'Beauty Is In The Street
Objectspace
August – September 2016
Curated by Elle Loui August'Constantinople Dress & Cordoba Diptych
'Beauty Is In The Street
Objectspace
August – September 2016
Curated by Elle Loui August -
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Textile + Form Series
'MRKT
All Press Gallery
February 2016'Textile + Form Series
'MRKT
All Press Gallery
February 2016
REPRESENTATION
Aotearoa New Zealand
NZ: +64 9 378 1500
India
IN: +91 22 6615 0424
© Areez Katki 2022